The film industry is a breeding ground for fresh and daring directorial debuts, and Charlie Polinger's 'The Plague' is a prime example of this. Set in the summer of 2003, the film delves into the murky waters of a boy's water polo training camp, uncovering a hidden world of psychological complexities.
What makes 'The Plague' particularly intriguing is its exploration of the brutal social dynamics that exist among tweens. It's a world where braggadocio, bullying, and hazing reign supreme, creating a hierarchy that feels almost animalistic. Polinger's stylistic choices, reminiscent of David Fincher, add an impressive bite to this hellscape, capturing the audience's attention from the very first shot.
The Arrival of Ben
The story follows Ben, a latecomer to the camp, who finds himself caught between the cool crowd, led by the mischievous Jake, and the outcast Eli, who is labeled with a made-up disease, 'the plague.' Ben's desperate attempt to fit in and avoid pariah status sets the stage for a fascinating psychological journey. Despite the coach's advice to be himself, Ben falls prey to Jake's psychological operations, showcasing the film's keen insight into the vulnerabilities of adolescence.
A Masterful First Hour
The first hour of 'The Plague' is a masterpiece, drawing comparisons to the initiation rites depicted in Lucile Hadžihalilović's work. It's a wild ride, with moments of Larry Clark-esque chaos and a visual sharpness that rivals a nature documentary. Polinger's ear for the nonsensical yet intriguing conversations of 12-year-olds adds a layer of authenticity to the film. From discussions about Smash Mouth to the ethics of bestiality, the film captures the unique world of tweens with impressive accuracy.
Body Horror and Unresolved Questions
As the film progresses, it flirts with body horror, leaving the audience questioning the nature of 'the plague.' Is it real, or is it a psychosomatic manifestation of the boys' fears and insecurities? As Ben finds himself in the oddball corner, the film takes a turn towards predictability, revealing its influences a little too easily. The comparison to Beau Travail's ending and the prepubescent Private Pyle reference are a little too on the nose.
Outstanding Performances
Despite this slight misstep, 'The Plague' shines through its raw and unfiltered performances. Everett Blunck, Kayo Martin, and Kenny Rasmussen deliver standout turns, capturing the complexities of adolescence with ease. Blunck's portrayal of Ben's increasing disturbance is particularly noteworthy, while Martin's intimidating presence despite his small stature is a testament to his talent. Rasmussen, on the other hand, stretches the limits of a cartoonish geek role, transforming it into a genuinely unsettling portrayal of an outsider.
A Jungle of Its Own
'The Plague' is a memorable education in the laws of the tween jungle, a world where the rules are often unspoken and the consequences can be severe. It's a film that leaves a lasting impression, not just for its impressive stylistic choices but also for its exploration of the human psyche during a vulnerable stage of life. Personally, I think it's a must-watch for anyone interested in the darker corners of adolescence and the power dynamics that shape them.
